KİTAPTAN
The volume at hand developed initially out of my continuous preoccupation with the written materials on music from the Ottoman period and the overall production of meanings in Turkish musical culture by and large. It is comprised of three essays which deal with the conceptual dimensions of music reflected in modes of thought, forms of externalization and their interrelations in the quest of cultural complexity. The essays draw upon the discussion of the concepts underlying the substance of each specific topic, and pursue the implications acquired with the changes in signification. Meanings operate in contexts and are determined by lesser or more complex notions people attach to things. In Turkish musical culture they bear the emphasis of a distinctive involvement condensed through achieved changes in the course of various epochs.
KİTAPTAN
The volume at hand developed initially out of my continuous preoccupation with the written materials on music from the Ottoman period and the overall production of meanings in Turkish musical culture by and large. It is comprised of three essays which deal with the conceptual dimensions of music reflected in modes of thought, forms of externalization and their interrelations in the quest of cultural complexity. The essays draw upon the discussion of the concepts underlying the substance of each specific topic, and pursue the implications acquired with the changes in signification. Meanings operate in contexts and are determined by lesser or more complex notions people attach to things. In Turkish musical culture they bear the emphasis of a distinctive involvement condensed through achieved changes in the course of various epochs.
