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Vedat Türkali and Third Cinema Halil Şoreş Karakoç

#smrgKİTABEVİVedat Türkali and Third Cinema

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KARGO BEDAVA
9786257900348
201036
Vedat Türkali and Third Cinema
Vedat Türkali and Third Cinema #smrgKİTABEVİ
Libra Kitap
140.00
An odyssey beginning from the source of the Third Cinema, reaching to Turkey, and ending with Vedat Türkali...

This book studies the relationship between Vedat Türkali's cinematic works and Third Cinema theory. At first, the Third Cinema is researched and evaluated, and criteria for determining the Third Cinema ideology are defined. Traces of the Third Cinema in Turkey's cinema are then explored, analyzed, and evaluated within the socio-political history of the geography, through a study of Türkali's life, ideology, and cinema. Six scripts and a novel of Türkali are analyzed using the basic elements of fiction and Algirdas Julien Greimas' "Actantial Model", and evaluated within the framework of the criteria for the Third Cinema.

TABLE OF CONTENT
ABBREVIATIONS
ACKNOWLEDGMENTS
INTRODUCTION
THIRD CINEMA
The New Latin American Cinema and Realism
Brazil, Cinema Novo, and The Aesthetics of Hunger
Cuba, Revolution, and For an Imperfect Cinema
Argentina and Third Cinema
The Practice of the Third Cinema
The Theory of the Third Cinema
Discussions and Ideas on Third Cinema
Third Cinema Definitions
Third Cinema and (Its) Geography
Sources and Pioneers of the Third Cinema
National Identity
History and Memory
Feminism
Perspectives on Intellectuals
The Third World and the West
Third Cinema's Present and Future
Conclusion
Third Cinema in Turkey
Turkey's Political History
Third Cinema in Turkey's Cinema
The 1960s, The Turkish Cinematheque Association, and Genç Sinemacılar
The 1970s and Yılmaz Güney
Conclusion
VEDAT TÜRKALİ, HIS CINEMATIC WORKS, AND THIRD CINEMA
His Life
His Ideology
His Cinema
Analyzing and Evaluation of His Cinematic Works
Methodology
Otobüs Yolcuları (The Bus Passengers, 1961)
Şehirdeki Yabancı (The Stranger in the City, 1963)
Kızgın Delikanlı (The Angry Young Man, 1964)
Karanlıkta Uyananlar (Those Awaking in the Dark, 1964)
Kara Çarşaflı Gelin (The Black-Sheeted Bride, 1975)
Güneşli Bataklık (The Sunny Swamp, 1977)
The Scripts: Conclusion
Yeşilçam Dedikleri Türkiye (Turkey They Say Yeşilçam, 1986)
Conclusion
CONCLUSION
REFERENCES
INDEX

  • Açıklama
    • An odyssey beginning from the source of the Third Cinema, reaching to Turkey, and ending with Vedat Türkali...

      This book studies the relationship between Vedat Türkali's cinematic works and Third Cinema theory. At first, the Third Cinema is researched and evaluated, and criteria for determining the Third Cinema ideology are defined. Traces of the Third Cinema in Turkey's cinema are then explored, analyzed, and evaluated within the socio-political history of the geography, through a study of Türkali's life, ideology, and cinema. Six scripts and a novel of Türkali are analyzed using the basic elements of fiction and Algirdas Julien Greimas' "Actantial Model", and evaluated within the framework of the criteria for the Third Cinema.

      TABLE OF CONTENT
      ABBREVIATIONS
      ACKNOWLEDGMENTS
      INTRODUCTION
      THIRD CINEMA
      The New Latin American Cinema and Realism
      Brazil, Cinema Novo, and The Aesthetics of Hunger
      Cuba, Revolution, and For an Imperfect Cinema
      Argentina and Third Cinema
      The Practice of the Third Cinema
      The Theory of the Third Cinema
      Discussions and Ideas on Third Cinema
      Third Cinema Definitions
      Third Cinema and (Its) Geography
      Sources and Pioneers of the Third Cinema
      National Identity
      History and Memory
      Feminism
      Perspectives on Intellectuals
      The Third World and the West
      Third Cinema's Present and Future
      Conclusion
      Third Cinema in Turkey
      Turkey's Political History
      Third Cinema in Turkey's Cinema
      The 1960s, The Turkish Cinematheque Association, and Genç Sinemacılar
      The 1970s and Yılmaz Güney
      Conclusion
      VEDAT TÜRKALİ, HIS CINEMATIC WORKS, AND THIRD CINEMA
      His Life
      His Ideology
      His Cinema
      Analyzing and Evaluation of His Cinematic Works
      Methodology
      Otobüs Yolcuları (The Bus Passengers, 1961)
      Şehirdeki Yabancı (The Stranger in the City, 1963)
      Kızgın Delikanlı (The Angry Young Man, 1964)
      Karanlıkta Uyananlar (Those Awaking in the Dark, 1964)
      Kara Çarşaflı Gelin (The Black-Sheeted Bride, 1975)
      Güneşli Bataklık (The Sunny Swamp, 1977)
      The Scripts: Conclusion
      Yeşilçam Dedikleri Türkiye (Turkey They Say Yeşilçam, 1986)
      Conclusion
      CONCLUSION
      REFERENCES
      INDEX

      Stok Kodu
      :
      9786257900348
      Boyut
      :
      14x21
      Sayfa Sayısı
      :
      198 s.
      Basım Yeri
      :
      İstanbul
      Baskı
      :
      1
      Basım Tarihi
      :
      2014
      Kapak Türü
      :
      Karton Kapak
      Kağıt Türü
      :
      3. Hamur
      Dili
      :
      İngilizce
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