#smrgSAHAF Ipek: Imperial Ottoman Silks and Velvets -

Hazırlayan:
Julian Raby, Alison Effeny
Stok Kodu:
1199030417
Boyut:
28,5x36,5
Sayfa Sayısı:
360 s.
Basım Yeri:
İstanbul
Baskı:
1
Basım Tarihi:
2001
Çeviren:
Reyhan Alp, Ayşe Kardiçalı
Kapak Türü:
Ciltli
Kağıt Türü:
Kuşe Kağıt
Dili:
İngilizce
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1199030417
416505
Ipek: Imperial Ottoman Silks and Velvets -
Ipek: Imperial Ottoman Silks and Velvets - #smrgSAHAF
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Figured silk fabrics were among the most powerful and most characteristic artistic products of the Ottoman empire. Through their role as diplomatic gifts, silks came to symbolize the Ottoman imperium to foreigners, while at home they were an important vehicle for the transmission of artistic ideas, and a key factor in the economy. Wars were fought for control of silk revenues, and governments devoted major bureaucratic efforts towards the organization, regulation and taxation of silk production. Silks took a major role in Ottoman public ceremonies and in upper - class culture, denoting status and forming a part of the compensation of state officials.

This book is the result of an international research project under - taken over a number of years. It is the first major study of Ottoman textiles to attempt a classification of the key technical and decorative categories, and is also the first to offer a catalogue of dateable textiles. The authors not only draw on the famous collections of the Topkapı Palace in Istanbul and other major museums around the world, but have rediscovered many lesser - known fabrics in ecclesiastical treasuries in Russia and Central Europe. New research in the Ottoman archives has shed documentary light on the legislation of silk production, and on the competing industries of Bursa and Istanbul.

Examples of the three weaves favoured by the Ottomans, seraser (cloth of gold and silver), kadife (velvet) and kemha (a type of brocaded fabric) are illustrated in full - page colour illustrations, and black - and - white figures of many of the key design groups demonstrate the creativity of Ottoman weavers.

Figured silk fabrics were among the most powerful and most characteristic artistic products of the Ottoman empire. Through their role as diplomatic gifts, silks came to symbolize the Ottoman imperium to foreigners, while at home they were an important vehicle for the transmission of artistic ideas, and a key factor in the economy. Wars were fought for control of silk revenues, and governments devoted major bureaucratic efforts towards the organization, regulation and taxation of silk production. Silks took a major role in Ottoman public ceremonies and in upper - class culture, denoting status and forming a part of the compensation of state officials.

This book is the result of an international research project under - taken over a number of years. It is the first major study of Ottoman textiles to attempt a classification of the key technical and decorative categories, and is also the first to offer a catalogue of dateable textiles. The authors not only draw on the famous collections of the Topkapı Palace in Istanbul and other major museums around the world, but have rediscovered many lesser - known fabrics in ecclesiastical treasuries in Russia and Central Europe. New research in the Ottoman archives has shed documentary light on the legislation of silk production, and on the competing industries of Bursa and Istanbul.

Examples of the three weaves favoured by the Ottomans, seraser (cloth of gold and silver), kadife (velvet) and kemha (a type of brocaded fabric) are illustrated in full - page colour illustrations, and black - and - white figures of many of the key design groups demonstrate the creativity of Ottoman weavers.

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